Multisyllabic Rhymes

 In rapping and poetry, multisyllabic rhymes(also known as compound rhymes, polysyllable rhymes, and sometimes colloquially in hip-hop as multies) are rhymes that contain two or more syllables An example is as follows:

I've got a bad taste / It gives me mad haste.

Multisyllabic rhyme is used extensively in hip-hop, is considered a hallmark of complex and advanced rapping, and artists are often praised for their multisyllabic rhymes by critics and fellow rappers. This is in contrast to its use in the majority of other forms of poetry, where multisyllabic rhyme is rarely used, apart from in comic verse where it is used for comic effect by poets such as Ogden Nash.

Usage in hip-hop

The book How to Rap breaks multisyllabic rhymes down extensively. In it, Kool G Rap gives an example of this kind of rhyme, rhyming "random luck" with "handsome fuck" and "vans and trucks". Other examples in the book include two syllable rhymes such as rhyming “indo” with “Timbo” and rhymes with irregular numbers of syllables such as “handle it” and “candle to it”.

How to Rap shows that multisyllabic rhymes are used by the following artists: Big L, Black Thought, Canibus, Common, Mos Def, Pharoahe Monch, Inspectah Deck, Big Daddy Kane, Kool G Rap, Rakim, Eminem, Big Pun, Arrested Development, Masta Ace, Lady of Rage, Snoop Dogg, Jay-Z, Beastie Boys, Esoteric of 7L & Esoteric, Game, Busta Rhymes, Method Man, Nas, and MF DOOM, although there are many more not specified throughout the book.

Multisyllabic rhymes are one of several rhyming devices which have increased in usage throughout the history of rapping, along with such devices as internal rhymes and offbeat rhymes. Music scholar Adam Krims, writing in 2001, noted the following artists as exemplifying the increased complexity in rhyming, including use of multisyllabic rhyming: “members of the Wu-Tang Clan, Nas, AZ, Big Pun, Ras Kass, and Elzhi, just to name a few”.

Usage in poetry

Lord Byron (1788-1824) used multisyllabic rhymes in his satiric poem Don Juan. For example, he rhymes "intellectual" with "hen-peck'd you all".

Ogden Nash (1902-1971) used multisyllabic rhymes in a comic, satirical way, as is common in traditional comic poetry. For example, in his poem ‘The Axolotl’ he rhymes "axolotl" with "whaxolotl".

Gerard Manley Hopkins (1844–89) is one of few poets who used multisyllabic rhymes to convey non-satirical subject matter. An example of this is ‘The Bugler's First Communion’, where he rhymes "boon he on" with "Communion".

Literary Consonance

 Consonance is a stylistic literary device identified by the repetition of identical or similar consonants in neighbouring words whose vowel sounds are different (e.g. coming home, hot foot). Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance.

Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis, and has different uses and effects.

Another special case of consonance is sibilance, the use of several sibilant sounds such as /s/ and /sh/. An example is the verse from Edgar Allan Poe's "The Raven": "And the silken sad uncertain rustling of each purple curtain." (This example also contains assonance around the "ur" sound.) Another example of consonance is the word "sibilance" itself.

Consonance is an element of half-rhyme poetic format, sometimes called "slant rhyme". It is common in hip-hop music, as for example in the song Zealots by the Fugees: "Rap rejects my tape deck, ejectsprojectile/Whether Jew or gentile I rank top percentile." (This is also an example of internal rhyme.)

List of English Words without Rhyming

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